file:Rembrandt Harmensz. van Rijn 012.jpg
Original file (5,050 × 4,620 pixel, file ke size: 10.4 MB, MIME type: image/jpeg)
Sanchhipt me
Rembrandt: The Denial of Saint Peter
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| Artist |
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| Title |
St Peter's denial |
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| Object type |
painting  |
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| Genre |
religious art |
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| Baare me |
St Peters'denial. With his left hand the disciple Peter makes a gesture of denial in response of the accusations made by Caiaphas' maidservant, who is standing next to him holding a candle. To the left two soldiers in armor are present, one of whom is sitting at a table. To the right a chained Christ looks over his shoulder while he is being taken away. |
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| Depicted people |
Peter |
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| Taarik | 1660 | |||||||||||||||||||||||||||
| Medium | oil on canvas | |||||||||||||||||||||||||||
| Dimensions | height: 154 cm; width: 169 cm | |||||||||||||||||||||||||||
| Collection |
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| Accession number |
SK-A-3137 |
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| Place of creation | Amsterdam | |||||||||||||||||||||||||||
| Object history |
by 24 Maach 1687: Marten Davidsz. van Ceulen, Amsterdam (?) by 1752: Marc-René de Voyer d'Argenson (1722-1782), Paris (as ‘Un grand tableau de Rembrant, représentant le reniement de S. Pierre’) 1759 or 1760: purchased by Claude-Alexandre de Villeneuve, comte de Vence (1702-1760), Paris, from Marc-René de Voyer d'Argenson, Paris 9 Farwari 1761 - 17 Farwari 1761: sale of the collection of Comte de Vence at P. Remy, Paris, lot no. 49, for 500 FRF (as ‘Rembrandt Van-Rhein. Un excellent Tableau représentant le Reniement de S. Pierre. Ce tableau est peint sur toile, de 4 pieds 8 pouces de haut, sur 5 pieds 2 pouces de large.’) by 1780: Sylvain-Raphaël de Baudouin, Paris (as ‘Deux grands tableaux faisant pendants. L'un représente le réniement de St. pierre; Cet Apôtre la Tète et le Corps couverts d'une grande Draperie de Laine blanche, Est deboust devant un foÿer. Sa main droite est appuïée sur sa poitrine, et de la gauche il semble se déffendre de la question que lui fait une Servante qui l'envisage avec attention a la clarté d'une lumière qu'elle tient entre ses doigts. Un Soldat armé de toutes pièces assis près du foÿer et dont le Casque et l'epée sont posés devant lui tient dans ses mains une grosse Cruche et cefse de boire pour écouter la réponce de l'apotre qu'il regarde attentivement. On apperçoit dèrierre lui un autre Soldat deboust appuÿé sur son Epée; il est aufsi armé de toutes pieces, et porte la même attention sur St. pierre. Ces quatre figures sont de grandeur de nature. Au haut du tableau on voit a droite sur un plan plus éloigné jesus avec deux Soldats, dont un lui tient les mains liées derrière le dos; Il est deboust devant trois juges Coëffés de turbans. L'effet étonnant de ce morceau qui ne reçoit la lumière que de la Chandelle qui est entre les doigts de la Servante,. L'espression, la couleur vigoureuse et la fierté de la touche, le mettent au rang des plus Capitaux de ce maître. Largeur 5. pieds 1. pouce, sur 4. pieds 8. pouces de haut’) 1781: purchased by Melchior Grimm from Sylvain-Raphaël de Baudouin, Paris for Catherine II of Russia (1729-1796), Saint Petersburg 10 Julai 1933: purchased by the Rijksmuseum Amsterdam, Amsterdam, from the Soviet Union |
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| Exhibition history |
Rembrandt Tentoonstelling, Rijksmuseum, Amsterdam, 13 Julai 1935–13 Actobar 1935, Cat.no. 27. La peinture Hollandaise de Jérôme Bosch à Rembrandt/Hollandse schilderkunst van Jeroen Bosch tot Rembrandt, Paleis voor Schone Kunsten Brussel, City of Brussels, 2 Maach 1946–28 Aprel 1946, cat. no. 88. A loan exhibition of Rembrandt at Wildenstein, Wildenstein and Company, New York City, 19 Janwari 1950–25 Farwari 1950, cat. no. 22. Dutch Pictures 1450-1750, Royal Academy of Arts, London, 22 Navambar 1952–1 Maach 1953, Cat.no. 188. Holländer des 17. Jahrhunderts, Kunsthaus Zürich, Zürich, 4 Navambar 1953–20 Disambar 1953, Cat.no. 122. Mostra di pittura olandese del seicento, Palazzo delle Esposizioni, Rome, 4 Janwari 1954–14 Farwari 1954, cat. no. 122. Mostra di pittura olandese del seicento, Palazzo Reale, Milan, 1954, cat. no. 112. Dutch painting, the Golden Age; an exhibition of Dutch pictures of the seventeenth century, The Metropolitan Museum of Art, New York City, Toledo Museum of Art, Toledo, The Art Gallery of Ontario, Toronto, 1954–1955, OCLC 644452, cat. no. 66. Rembrandt. Sextiosex bilder från utställningen i Nationaluseum, Nationalmuseum, Stockholm, 12 Janwari 1956–15 Aprel 1956, cat. no. 35. Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Amsterdam, 18 Mai 1956–5 August 1956, Museum Boijmans Van Beuningen, Rotterdam, 8 August 1956–21 Actobar 1956, OCLC 15659340, cat. no. 82. Gods, saints & heroes. Dutch Painting in the Age of Rembrandt, National Gallery of Art, Washington, 2 Navambar 1980–4 Janwari 1981, The Detroit Institute of Arts, Detroit, 16 Farwari 1981–19 Aprel 1981, OCLC 604281802, cat. no. 30. God en de goden, Rijksmuseum, Amsterdam, 18 Mai 1981–19 Julai 1981, ISBN 9789012033732, Cat.no. 30. La luce del vero. Caravaggio, la Tour, Rembrandt, Zurbaran, Galleria d'Arte Moderna e Contemporanea, Bergamo, 10 Saptambar 2000–17 Disambar 2000, ISBN 88-8215-238-3, cat. no. 22. The Bible, Mythology and Ancient History. Rembrandt and the Rembrandt School, 13 Saptambar 2003–14 Disambar 2003, National Museum of Western Art, Tokyo, cat. no. 16. Rijksmuseum on the Scheldt. Masterpieces from the treasure-house of the Netherlands/Rijksmuseum aan de Schelde. Meesterwerken uit de schatkamer van Nederland, Koninklijk Museum voor Schone Kunsten, Ghent, 9 Actobar 2004–31 Disambar 2007. Rembrandt-Caravaggio, 24 Farwari 2006–18 Juun 2006, Van Gogh Museum, Amsterdam, Cat.no. 16. Rembrandt and the Golden Age of Dutch Art. Masterpieces from the Rijksmuseum, Dayton Art Institute, Dayton, Ohio, 24 Saptambar 2006–7 Janwari 2007, Phoenix Art Museum, Phoenix, Arizona, 27 Janwari 2007–6 Mai 2007, Portland Art Museum, Portland, Oregon, 26 Mai 2007–16 Saptambar 2007. Rembrandt and the Golden Age. Highlights from the Rijksmuseum, Amsterdam, Shanghai Museum, Shanghai, 2 Navambar 2007–13 Farwari 2008. Rembrandt, Pintor de historias, 15 Actobar 2008–6 Janwari 2009, Museo Nacional del Prado, Madrid, Cat.no. 38. Rembrandt. The denial of Peter, Szépművészeti Múzeum, Budapest, 30 Aprel 2009–1 Juun 2009. |
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| Credit line | Purchased by the Rijksmuseum Amsterdam with support of the Vereniging Rembrandt | |||||||||||||||||||||||||||
| Inscriptions |
Signature aur calendar date : Rembrandt 1660
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| References |
Anonymous, Rijksmuseum Amsterdam online catalogue, as De verloochening van Petrus. Anonymous, RKDimages, Art-work number 2928, as The denial of Peter Anonymous, Bildindex der Kunst und Architektur, object 20186116, as Die Verleumdung Petri Anonymous, Vereniging Rembrandt, as De verloochening van Petrus. Blankert, A. 'Rembrandts Nachwerk', Kunstschrift (2006) 3 (juni/juli) Bok, Marten Jan, Kunstbezit in de Amsterdamse familie van Ceulen, p. 149-166. Brion, Marcel, 'Rembrandt, sa vie', Jardin des Arts (1969) 176/177 (juli-augustus), p. 16. Camon Aznar, J., 'La pentura de Rembrandt y su justification religiosa', Goya (1979) 151, p. 5, afb. Deene, J.F. van, 'De compositie van Rembrandt's "Verloochening door Petrus"', Maandblad voor Beeldende Kunsten XI (1934), p. 115 e.v., afb. Gerson, H., De Nederlandse schilderkunst III, 1952, p. 15, afb. 31. Grimm, Claus, 'Handschrift, schildertechniek en beeldstructuur. Bijdrage tot het onderzoek naar toeschrijving, I de helmen van Rembrandt', Tableau (1982./83) 5 (dec./jan.), p. 242, afb. Hudson, J.R., 'Pictorial sources for Rembrandt's Denial of St. Peter', Oud Holland LXXIX (1964), p. 141. Jager, J. 'Revolutionaire kunstbuit : erfgoed of handelswaar', Spiegel Historiael 36 (2001) 11-12, p. 496-503. Johnson, Inger Helene, 'Reflections on The Denial of the Apostle Peter, from the 'Commodilla Master' to Rembrandt', Det Kongelige Norske Videnskabers Selskab (1976), p. 1-30. Kühn, H. Untersuchungen zu den Mahlgründen Rembrandts, in: Jahrbuch der Staatlichen Kunstsammlungen in Baden-Württemberg 1965, p. 202. Nicolson, B., 'The international Caravaggesque movement', Simiolus 12 (1981/82) 2/3, p. 171. Vels Heijn, A. Rembrandt, in: Jaarboek van het Centraal Bureau voor Genealogie (1990) dl. 44. Weisbach, Werner, Rembrandt, 1926. p. 465. |
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| Source/Photographer | Unknown source | |||||||||||||||||||||||||||
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Licence ke baare me
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. | ||||
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File ke dekhe khatir, jaise uu time dekhe me lagat rahaa, date/time pe click karo.
| Din/Time | Chhota chapa | Lambai aur chaurai | Sadasya | Tiprrin | |
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| abhi waala | 15:20, 9 Mai 2014 | | 5,050 × 4,620 (10.4 MB) | Jan Arkesteijn | higher resolution |
| 16:37, 30 Disambar 2009 |  | 500 × 454 (101 KB) | Shakko | http://fotki.yandex.ru/users/swirelka/view/152073?page=2 | |
| 03:08, 21 Mai 2005 |  | 3,176 × 2,899 (491 KB) | File Upload Bot (Eloquence) | {{Painting| |Title=<br /> ** ''de:'' Apostel Petrus verleugnet Christus |Technique=<br /> ** ''de:'' Öl auf Leinwand |Dimensions=<br /> ** ''de:'' 154 × 169 cm |Location=<br /> ** ''de:'' Amsterdam |Country=<br /> ** ''de:'' Niederlande (Holland) |Galle |
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